Difference between revisions of "Spec Ops: The Line"

As a modern first person shooter, blood is present.

In addition to the corpses produced by the Player Character during normal gameplay, there is more notably a pit where decaying bodies have been thrown, and another instance where freshly burnt corpses are discovered.

The Player Character's two friends and tactical support are killed in the course of the game.

A primary theme of the game is the dehumanization of people required to be able to kill them. This includes both enemy combatants and neutral noncombatants.

Dubai is in a state of disrepair due both the the military presences that are tearing up the city as well as the bizarre weather afflicting it.

The game centers around a solider in a modern army. The game has a realistic depiction of this.

The game's antagonist taunts the player character in such a manner. The game itself, via loading screen messages, engages in this with the player.

The game heavily pushes the theme of futility and criticizes both the player and Player Character for thinking they are more than they are. (i.e. "If you hadn't come here, this wouldn't have happened.")

As with most modern first person shooters, there are a number of explosions. Notably, uses of heavy weaponry or carefully aimed shots may result in explosions.

In a particular instance, the player character discovers the burned body of a woman, her eye sockets empty.

Fire is a common result of explosions, also occurs as a result of the use of white phosphorus.

As a modern first person shooter, there tends to be a lot of gore. Notably, gunshots to the head cause heads to explode. Additionally, there is a pit of rotting corpses, bodies that have been horrifically burned, and likely other instances.

In addition to the standard violence committed as part of the genre, a number of sequences involve violence against civilians.

As a first person shooter, guns are omnipresent.

Almost every level starts from a very high point. At the end of one level, the player character falls very far.

In addition to the standard acts of killing common in the genre, as an important plot point, the player character and his companions unwittingly murder many civilians, and later engage in depriving other civilians of their only water source. One of the player character's companions murders a radio host. The same companion is later lynched by enraged civilians, which the player character has the option of massacring.

Gunshots to the heads of targets explode heads, and attacking downed enemies will lead to an 'execution' move, which sometimes includes bashing their head in. White phosphorus is employed in the game, leaving the few survivors horribly mutilated.

Swearing is common in the game.

The game eventually explores the player character's severe denial of the things he's done and as a result he occasionally hallucinates.

The player character and his companions suffer trauma from killing innocent people.

The content of this tag is in the game's subtext. The game explores current attitudes regarding the Middle East and especially racist trends in modern warfare shooters.

The player character is taunted by two antagonists who are watching his movements.

The main antagonist of the game is revealed to have committed suicide. The player character has the option of committing suicide as well.

The sounds of someone being tortured is broadcasted over the radio. Deceased torture victims are later found. The player character may also find the log of a torturer, who describes those who survive his torture as brothers and sisters.

The game opens with the Player Character in a helicopter, firing a gun. Then it flashes back to the beginning of the story and eventually you get back to this same point, in the helicopter, firing a gun. But then the protagonist says "Haven't we already done this?" After a bit, the helicopter crashes and the protagonist sees some disturbing visions of the men he's killed along the way. in the climax of the game, the protagonist & player realizes that a large chunk of the game has been a hallucination.

Also, a more subtle example: each chapter of the game starts in a high place, but you spend the duration of each chapter heading downward.

Early in the game, the helicopter the character is in crashes.

The game's antagonist taunts the player character in an abusive fashion throughout the game. The game itself, via loading screen messages, engages in this with the player.

The Player Character (and player) are variously blamed for the things that happen in the game, but other times are told that they aren't bad people.

As a first person shooter, weapons are omnipresent. Nearly every person encountered possesses a gun of some description.